It takes a lot of time to be a genius, you have to sit around so much doing nothing, really doing nothing. ~Gertrude Stein
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I spend a lot of time at the computer. Sometimes I'm looking up stupid stuff like that to tell my husband, who, without it, would probably still believe that hair grows faster after you cut it, or I look up lyrics, a news headline, the source of a quote. Other times, I'm writing or processing photos or chatting with friends, as if they are right in the next cubicle. Only I'm not exactly "working."
I am an artist. Saying that gives me the creeps; it scares me. Because artists, as you know, are unemployable, and it's sort of why I'm sitting here at the computer at 8:07 a.m. on a Thursday instead of getting ready for work.
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Because my employment frustration could easily occupy my day, I decided to give myself something to do, some artistic diversion to participate in when the laundry was done and the kitchen floor was swept. And that's how I came to win a photo challenge—Survivor: Flickr Island—with five very different photos. I made the best shots of my life. And when that was over last week, I joined a photo class with weekly assignments. Every day, I work a little more on the chapter for my book proposal. I send queries and write poems and songs. I flit.
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Right now, I have nothing to do but write and look for work, yet I feel an overwhelming guilt when I try to fill the day with things other than vacuuming and laundry. I rarely pull out my guitar anymore, even for that quick few minutes in the early morning with my coffee. And when I forget my situation and buy a six-dollar t-shirt at Target, I have a panic attack. But when I use the computer for my avocations, it's free. And it's productive. And sometimes it turns into a gig—a photo publication credit in a real magazine (this shot, for the California version of Family), a book review, a portrait job for a friend.
And it feels good. Yesterday, at about 4:30, the wind kicked up outside and began to twirl the rusty pink garden ornament hanging from my Douglas fir. I took 32 stills of it as it swung in the breeze. I stitched them together to make an animated gif and liked it so much that I turned it into a movie. It took two hours, and my husband complained, even though he was gone most of the time, even though I'd stopped while he was walking the dogs to make his dinner salad, cut up veggies for Hendrix the Creature (my daughter's bearded dragon), and would pick up my daughter from soccer. It doesn't matter what I'm doing, he says. I'm always on the computer.
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While I was making my video, I added some music. And when it was finished, I decided it needed something else—the sound of wind, some whoooosh to run through it as it faded to black. And that's when it hit me that I needed some applause. I tacked it on the second half of the video so that it would linger through the fade to black. The applause made me giddy. Every time I hear the audience clapping, I feel as though they are clapping for this thing blowing in the breeze, this thing I made, and, by extension, for me.
My friend Jennifer asked: what if we had this in our heads all the time? Every time we did something right, the applause would start. Every time we did something we shouldn't—like eat a cookie—the audience would boo. Would it make us think more about the things we do every day?
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Would they cheer for proving my husband wrong about the hair? Or would they boo, because they thought he was right? Would they clap for me as I sit here this morning, writing an essay in my blog, practicing a craft for which I am sometimes handsomely paid? Or would they blow raspberries at the waste of time?
Would they applaud the laundry and the pile of dog hair swept out the door and the made beds and the chili dinner and the washed dishes but hiss when I pulled out the guitar?
Is it an audience of disappointed, overworked spouses or an audience of artists?
Does the audience have its priorities straight?