Tuesday, February 24, 2009

Fat Tuesday

I don’t deserve my body / it may not be perfect but it works for me / and I can walk and I can see the sky
—Lori McKenna, “The Deserving Song”


I haven’t been in a locker room in decades—since I first realized my two feet could connect with trail, concrete, or asphalt in a healthy way for the price of a pair of running shoes. But this morning, at the gym where I do therapy for my back, I went back to scary high school phys ed class. The snaps in my yellow uniform always gaped at the bust. The bloomers left crinkled imprints in my thighs.

I have never been proud of my body, never celebrated its accomplishments or its appearance, except for a few lean months at ages 34 and 40 and one nine-mile run. At 46, it’s not even on the same planet as perfect, and it does not work for me just yet. I can’t pick up my underwear when it falls on the floor. I have to sit to get dressed. I can’t lift more than a gallon of milk or walk a quarter of a mile. And forget touching a trail; uneven footing makes me feel as though I am walking en pointe.

Movement is hard enough. Now add an extra dozen pounds, brought on by an antidepressant (one that’s supposed to decrease appetite, naturally) to my unexercised, flabby, nonworking body, and—you can see where this is going. Last night, because it was the very last minute I could wait, I tried on last summer’s swimsuit—or tentini, as my sister likes to call hers. I looked in the mirror long enough to be sure private parts stayed private but not long enough for the image to burn my retina. When I recovered, I took a bath. My daughter came in to brush her teeth, and I asked her to close the shower curtain. For the first time in months, I couldn't fall asleep, too ashamed of how I looked—no slack granted for four months worth of lying around with back pain.

This morning, before my Healthy Back class at the gym uptown, I hobble into the women’s locker room and hang up my coat. Though I stare intently at the row of coats and the plentiful hangers (the kind with full-circle holders, so they can’t be stolen off the rack), I can still see naked women from every corner of my eyes. A woman my age is in a half slip and stockings at the sink. Another strolls from the shower to her locker. Still another stands at the bench arranging her clothes, her gigantic dark nipples like dinner plates dangling from her chest. Young and old, fat and thin—mostly thinner than I—all these women are moseying around in various states of undress, not one of them hurrying or hiding behind a towel. Not one of them seems to possess a modicum of self-consciousness, as if walking about without clothing in a large room with other naked women were not a deranged thing to do.

I am both modest and modest about my modesty, shamed into folding my clothes neatly and carefully, so I don’t look like I’m as embarrassed as I am by the way I look, in a race to hide myself. But I don’t want, even for one second, to be a flash of puckered thigh in someone else’s peripheral vision.

Poor body image and depression can accompany one another down that dark road and keep you from doing the very things that would improve your body and lift your spirits. It’s not so easy to get over yourself. And I didn't at first. When I am introduced to the instructor, I break down—partly with fear and partly with relief at finally doing something about my circumstances. I’m going to have to suck it up and suck it in as best I can and not let my brain spoil this for my body.

In a class of five, I am likely the youngest and the least fit. But once I make that mental note, it dissolves in the 92-degree water. For one liquid golden hour, I stand in neutral spine, walk, hang in traction, and perform exercises called “square box” and “dead bug,” And when I get out of the pool, I don’t feel the usual crunch of my spine bearing down on my tailbone as full gravity returns.

The locker room, to my chagrin, has magically refilled with new naked nipples and bare bottoms, and it’s time to face my scary semi-public nudity. But while I sit to take off my suit and put on dry clothes, I see, out of the corner of my eye, one of my classmates. She is not naked but is instead carrying her clothing into one of the small private shower rooms, where she changes.

Each fat Tuesday and Thursday, that’s where you’ll find me.

Sunday, February 8, 2009

crOw





O, a long winter
watching the crows
ballet dancers
on the wind

O, out the window
only place she goes
carried safely
on their wings

but they won’t share their secrets
shred all the evidence
they won’t grant her wishes

O, e minor
the only one who knows
how a girl
can get so old

subtly and swiftly
swallowing the medicine
waiting for a second wind

to blow-ow ow
wOe-o-O

O, do you recognize her
the woman you once knew
holing up
beneath her skin

And will she recognize you
wearing different wings
will she
pull you in?

narcotic ritual
tuned to the barking crows
drowning without waving

Cro-o-ow
Wo-o-ow
Cro-o-ow

Sunday, February 1, 2009

lists: another list (also a thank-you card)

I love lists—whether they’re in literature or song or even tacked to someone’s fridge. They tell us about other people while they remind us about ourselves. I once wrote a long essay about the list, and it didn’t even include the best list song ever written, “It’s Only Money, Tyrone,” by Marah, which enumerates all the items that might be found while dragging a lake: “a bag of dead kittens and mufflers and engines” among them.

Because I needed to clean up yesterday, I also took inventory of the things that have kept me company in these last seven weeks of convalescence. With the exception of the cold remedies and the gifts, each item has been here from the start. Everything is proximal; if it’s not, I can reach it with the Deluxe Gopher Pickup and Reaching Tool, which I recently saw being derided on an episode of Law & Order SVU. (The Deluxe part is the pair of suction cups on the bottom, which helps to grab tiny things, like my laptop plug.)

I have a 14x30-inch table to my left. On it is a mug (a gift from Ava a few years ago) filled with knitting needles in bamboo, metal, and plastic—double pointed, round, and straight; scissors—long, short, and the scrap-booking kind, for making a fancy edge for my Lunatic Fringe scarf tags; a ruler; a telescoping back scratcher (from Jen); a thermometer (last reading: 98.7—down from yesterday's high of 100); pens—purple Pilot Precise, red Foray, and blue fine-point Pilot Better Retractable (you need that pen); and a business card from Spinster Yarns and Fibers. A yarn needle and some earplugs are in the bottom.

Also on the table, a plastic Halloween bowl (from Jen) holds all the pills—hydrocodone, promethazine, a laxative I no longer need, and vitamins I forget to take; the world’s best face cream—Dermologica’s intensive moisture balance; Zicam nasal gel, which only works on the rhinovirus (I’m convinced this is the hippovirus because, well, look at me); and sixty dollars in cash from the sale of a scarf to Jen.

What is not tucked away neatly remains spread out on the table: a crow cup (Jen, again) half-full of water; coffee in the morning, a can of Diet Hansen's root beer after that; Halls cherry, both loose and in the bag; the remote to the best iPod stereo ever, Altec Lansing’s In Motion IM7, with speakers in the front, back, and sides (bought new for $100, now selling new for $147 to $200, if you can find it); a book light that came with a Snuggie (my dad’s Snuggie, since he rarely reads, though he told me he was enjoying the Carrie Fisher book, Wishful Drinking, a gift from his partner, Tom, but he mostly marveled at how big the type was and was impressed that Simon & Schuster is her publishing company, too); the remote control to my new TV, an RCA 22-inch wide flat monitor with a DVD player in the side (Garden State had been accidentally ejected; it's since been replaced with Lost in Translation); the DVD case for the last movie; a ball of leftover yarn that would make perfect fringe for Wrap Me Up, You'll Take Me; a nearly finished roll of toilet paper (we never have tissues); a pair of cupid earrings (the cupids have penises), a pair of Ed Hardy skull earrings, and a big metal crow, all gifts from Jen; two packs of 5 gum in Rain (spearmint) and Cobalt (peppermint)—gum that lasts longer than you do; a pair of reading glasses that I never, ever use; a hairy pony-tail holder; loose earplugs; and a lens cap. I also have a Bob Schneider guitar pick (because I adore him) and a Dunlop .88 Rhino pick, because it’s absolutely perfect.

On a smaller table to my right, when it’s not on my lap, is my Macbook Pro laptop. I also keep the phone there (because there’s no room on the other table anymore), as well as a CD I’ve been meaning to copy (Billy Bragg and Wilco’s Mermaid Avenue) and an AT&T bill I’ve been meaning to pay, a box of thank-you-cards, and a white noise machine, which I use every night to drown out all the noises that aren’t muffled by my earplugs. During the day, my hat is its cozy, and a Do Not Disturb blindfold is on the hat. Beneath the table is a box of fancy ribbons for fringing.

Under the first table, usually loose but now bagged with help from my daughter, are dozens of bags of yarn, sorted by color, mostly; a box of just-begun projects and fallen knitting needles and discarded skein labels; a hat knitted for me by Kristi Evans, someone from Flickr who has her own spine problems; an ugly doll, Babo (from Jen yet again); and a notepad from a game Jen and I tried to play the other night.

On the bench in front of me is more yarn—a duffle bag overflowing with bags of it. My back brace, my bathrobe, my hat, and my blankets are there, too.

In front of the bench and by my feet, within easy arm’s reach, is my guitar, a Gibson Songwriter Deluxe (Serena says it's the same guitar Billy Ray Cyrus plays). I pick it up more frequently these days. It is the best guitar in the house, and I don’t deserve it.

On the doors of the armoire that holds the TV and the stereo and hundreds of bulky VHS tapes are four absolutely beautiful scarves that I would like to sell and two I made for myself.

To the right of my glorious $1,200 red leather Perfect Chair are two windows, with blinds I can adjust while seated using the grabber. Every day from about three to five, the crows taunt me. They swoop by the window, over the house, close, in great numbers, and I quickly set the chair upright, grab my camera, and run—if you can call what my deformed body does running—outside to an empty sky. But I keep going back, and sometimes I catch a good shot of them in the trees or swooping overhead.

My dogs usually curl up on the rug next to me, and there’s sometimes a child on the sofa with her disgusting socks stinking up the room and her beautiful smile making me ignore it, sorta. My husband offers me foodstuffs, picks up my guitar and strums it, scratches my head and rubs my shoulders on his way from the kitchen to the upstairs when he isn't carrying trash bags and laundry baskets.

This is not the way I want to live, but I’m making the best of it. I don’t do as much writing as I should, but I’m revising a proposal for my second book, at Simon & Schuster’s request, so I’m trying to be positive.

I lapse into occasional bouts of self-pity. Today has been among the very worst, despite a crabcake and turkey omelet wrapped in a pancake my husband made for brunch; I had to force myself to eat it.

My hygiene is dependent on helpers who won’t run away when I take off my pants. I count two—my mother and Marty. Serena is starting to shield her eyes. Hence, my legs look like they belong on a gorilla, and I’m growing eyebrows to match. My roots are gross; I’d dye my hair back to dark brown if I could bend over. To that end, I miss sex the most.

I can't help but be depressed. And so I seem to suck up joyful moments and touches like a desert plant sucks up rain. I am starved for everything but pain and the pills to curb it—and even the latter wasn't always this easy.

My daughter played guitar at school mass the other day—in front of the whole school, confidently, not nervous. I would have gone. (I was there back in October when she played guitar for her class mass, though I could barely drive myself.) When she came home from school, I had her describe to me not only how she played but also how the kids responded. Did they think she was so cool? Did they covet her guitar? What did they say to her afterward? (The seventh-graders ogled the Gretsch and couldn't believe it was hers and hers alone; the sixth grade girls dug it, but the boys are too sixth-grade to say; all the fifth graders love that she can play.) These are the stories I want to hear. It's one thing to know your mother thinks you're incredible. It does everything for your spirit to know it's not just because she's your mother. It's because you're incredible.

Even though I'm lonely, I have made the best of my time. I write. I sometimes scream out my frustration (scaring the dogs a little). And I play my guitar wildly (and poorly), without any self-consciousness. When no one's around to yell at me, and now even when they are, I step out the front door with my camera and shoot the crows or drag myself to the attic to shoot the sunsets. In fact, since they know I'm going to do it anyway, Steve calls to tell me of a spectacular vista, and Marty and Serena hurry home to make sure I know when the sky is dramatic and fiery.

In two weeks, Serena plays her first rock concert. I am practicing walking up the steps, one foot per step, and coming down that way, too. It's harder. I practice maneuvering around the dogs. I try to correct my deformed posture, relax my abdomen and lower back, walk naturally, without one arm sticking out to my right side, my fingers all contorted like I suffer from a birth defect rather than just a bad back and a muscle tear. I will be at that show, whether I need to pimp my collapsible walker and stick old-man tennis balls on the bottom or be pushed in a wheelchair. But I'd most like to go like a hot rocker mom, and, OK, dare I say it? Even a Rocker MILF—that's how much my self-esteem has suffered these last seven weeks.

I have not merely taken stock here of the little things that keep me sane, but I remember all those blessings and am encouraged and warmed by the kindnesses of strangers and acquaintances as well as friends. Marty's school organized a meal program for us, and now someone brings a dinner nearly every other weeknight—huge containers of amazing cheesy ground beef casseroles, stuffed shells, London Broil, fancy rice, and brownies; there's more to come next week. How nice is that? My parents' friends have fed us, bought me gifts, sent money; Internet friends I've never met have sent care packages of books, manicure sets, crossword puzzles and pencils. Who knew I'd actually need that Do Not Disturb blindfold to hide the glaring porch lights? Monica Mansfield, that's who. She's a music show host in Boston, and we met on a Willy Porter fan site. Ten people bought scarves. Countless friends send me get well wishes on Flickr and Facebook and by phone and email. Smack sent me a card every day for the first week after surgery. Aunt Teena, not my aunt but just as good, sent me a book and some gorgeous yarn she bought on a whim. My best friend from kindergarten found me on Facebook and sent nine cupcakes from Williams-Sonoma (in a cooler and everything!). Cory came from Harper's Ferry with cookies. Sarah drove from Philadelphia and, even in financial crisis, brought a birthday present for Serena and a blanket and duck pillow (which I use every single night) for me. Jen spent four days here, driving from New York in the snow (!), bringing me another bunch of gifts and, best of all, helping me to get out of the house two days in a row. As we navigated the icy patches, she stopped me a few times to kick aside the slushy snow, like a lover laying his coat over a puddle so his mistress could cross.

The thing about lists is that they are far better when you're listing the things you have than when you're listing the things you need. This little reminder just went a long way toward improving my day. I hope it helped you, too, somehow.

Friday, January 23, 2009

feeding the goddess

I’ve known Christine for nearly a quarter century, and she’s always been extraordinary. You could tell by looking at her that she didn’t merely walk on the wild side; she practically invented it. People say I’m creative. But that’s what you say about people who can cut and paste. Christine is an alchemist. She a transmitter and a transducer. She harnesses energy from things you can’t see, scoops it like some flocculent mass, then molds it into a tight little invisible ball. Best of all, she puts it inside other people.

She has put it inside me.

Some people have lucky charms—jewelry, amulets, smooth stones, even clothing. (My brother-in-law wore the same shirt every day under his work clothes during the Baltimore Ravens’ last winning streak; alas, a shirt is only so powerful.)

But Christine is more than a lucky charm. She’s a magic spell. She’s who I call when things get serious.

Think of anything you know about power—powerful medicine, powerful weaponry, powerful machines—and you’ll understand why I save her for last. You don’t want lead anchor to squash a spider. You don’t need a power washer to rinse your veggies. And you don’t take narcotics for a sore throat. Calling Chris is like taking out the big guns.

About fifteen years ago, she began coursework at the Baltimore School of Massage, and Marty and I were her pampered lab rats. We endured hours of free massage while she perfected her strokes and tried out new moves. When she started energy work, Marty took a pass. We both like touching better. This stuff is like a promise unfulfilled. Her strong hands hovered over the sore spots on my back, beating their wings but never touching down. She was a tease.

She went on to pass her tests and build her client list and make a slew of new, odd associates who were all introduced as “my friend” [Esmerelda]. When they stood together, I could feel them like a force field, an invisible shield. But Christine didn’t exclude me. In fact, she was there at 5:00 a.m., in the hospital, while I was in labor with Serena. She put me in stillpoint, which is a craniosacral method of harnessing the energy coursing through your body and gently forcing it into a steady and peaceful rhythm. Though it isn’t physical kneading, it’s a hypnotic. You can’t help but stop.

When I suffered with insomnia, Chris went from big gun to atomic bomb. On my first visit after my first week of no sleep, she took my ankles in her hands, closed her eyes, and asked me a question. “What does it mean—‘I’m not there yet’?”

I scrunched my face in befuddlement.

“That’s what I’m getting. That’s my read on you,” she said. When had she begun talking that way? I had barely accepted the waving crystal over my belly, and now I was forced to come to terms with Chris “reading” me. So I made something up—that I’m not famous, I’m not a famous poet, I don’t have a book published. I truly didn’t know what she was talking about.

When I got home that evening, an email waited for me. Subject: you’re not there yet. At the time, I was working on a job for a marketing company, and our tag line was “Are we there yet?” How did she know that? How did she know that while I wasn’t even thinking about it? The moment I saw that subject line, I cried. It was as if my best friend had become a—a psychic! I called her, hysterical. “What are you?” I asked her, accusing her. While I wasn’t looking, she had become a full-fledged healer. She’d found a way to train all the random odd bits of her to do this stuff. “Are you a witch?” I demanded.

So Christine has treated me during my worst, most painful times. Sometimes it’s too late. And sometimes it’s by accident. She called last week, and I begged her to visit. Her schedule has her working long hours with autistic children at Kennedy Krieger, as well as treating her regular clients. She was finally able to get here Monday, and it was like letting out held breath. She always makes me laugh, even when I’m imperious to joy. I showed off my daughter, got indignant with her over a loved one’s behavior, listened to her mangled jokes and stories about becoming queen of yet another kind of massage, and shared my own good accomplishments.

And then, before she left, she put her hands on the spot. She felt around the incision and marveled at its neatness and good healing. And then, with her hands on the surface of my skin, skimming it like a bug on a summer pond, she went inside me with her mind. She tiptoed a route through my tissue and muscles. She fiddled and faddled and hocused and pocused. Suddenly I got a little dizzy and nauseated, but I said nothing, thinking it was standing or the meds. Then she asked whether I was nauseated or dizzy, and I was almost relieved, even though this stuff still scares the piss out of me. She talked about draining my lymph nodes or whatever—I never understand half of what she tells me. I just know that, whether I believe it in or not, she’s doing it.

Christine hugged me goodbye, and there is magic even in her hug. Her arms squeeze the demons from you, and I would swear to that in a court of law as well as a nonfiction essay, and I would not be taken down by Oprah or Goucher’s Creative Nonfiction program because it’s true.

Before she left, I reached around my mountain of leftover scarves and grabbed the one she’d admired when she came in—a red, black, and white one with balls and fluff and poofs and glitter. She said it matched her new hat. I don’t know whether she told me that because she wanted it or just as a matter of fact, but I knew she needed the scarf. I made her wait while I hobbled around my maze of boxes of yarn and put it around her.

This was more than a gift to a friend. It was a sacrifice to the goddess.

Christine is the belly of the Buddha. She is the Shroud of Turin. She’s the Virgin Mary on Toast. She’s the dozens of four-leaf clovers she’s found (several in my presence—just looked down, and there they were). She holds more magic than a sky full of crows.

The next day, I stood straighter. I had less pain. I moved more. I can’t wait for another dose of her friendship.

Friday, January 16, 2009

lunatic fringe

This old poem about knitting and unknitting, pulling together and coming undone, seems to suit me right now. I'm whipping yarns into a frenzy while I'm stuck in a chair and using the knitting to keep me sane. Of course, it's an expensive hobby, and I'm not working, so I'm selling all the scarves at my etsy shop, if you are interested. I'm not exactly a charity case, but when you buy one, you get a fabulous scarf that will last forever (and people will point and stare—in a good way—so be prepared) and you keep me from, well, unraveling.



It's not as easy as you think
to unravel the half-done coat—
the mohair enmeshed with wool,
the intertwined tweed and Wintuck
(in colors so promising you use it
though you know it pills).

It's not as easy as you think
to unravel a foot of coat
with so much time invested,
so much counting of rows
and place holding,
so many plastic rings slipping
from needle to needle,
the saved-for-later stitches
held gingerly on a spare rod,
the book buckled
with folded graph paper
from the chart you made.

Even when you make a mistake,
it's not as easy as you think
to unravel without dropping
or twisting the tiny knit or purl
(though my Grammy,
the first multi-tasker,
could do it blindfolded
playing bridge).

But it's been years
since you've picked up stitches,
added a row, tied on a color.
And each time you take those
good intentions from their pouch,
it takes an afternoon
just to find your place.

It takes days
to get the rhythm back.
And the rows are long.

So the unfinished coat sits in a bag,
spools neatly coiled
and instructions preserved.
It's mostly nostalgia now,
like the time you got into beading
or yoga
and bought the accouterments,
which now sit in bins and boxes
because you might pick it up again.
That's what you say each time
you climb the attic stairs
to poke around for an ornament,
nose around for a pair of jeans
that might fit you now.
That's what you say each time
you look at the textures—
watch it flow from flat to fuzzy,
go from silky to nubby.
That's what you say today
while you look for an old photograph.

And then it happens:
a few stitches fall from the needle
while your foot rests on the last spool.
And each time you move,
you pull them tighter and tighter
until they become the stitches
from the row before and then
the row before and the
row before.

And now you just want to tear at it,
just want to rip the whole thing out—
annihilate its order,
erase the time spent,
destroy its memory.
So you pull that string,
your arms, long and flailing;
the yarn, a mass of tangles,
miles of lunatic fringe;
and you, the star of this
hysterical knitting drama.

But it's not as easy as it looks
to unravel the half-unraveled coat,
as the knots of each tied on color
catch on the permanent waves
of seven years in stockinette stitch captivity,
seven years of almost-coat-ness,
seven years of the broken promises
of a button placket,
a lining,
a cool fall day.

No, it's not as easy as it looks
to unravel.

Sunday, January 11, 2009

scar tissue


The other morning, I called my mother to tell her something. Her voice sounded shaky, like she was about to cry. “What’s the matter?”

“I’m having a meltdown today,” she said, quivering. “I have all these year end taxes, and my printer says the cartridge is damaged, and it’s brand new, and—“

“Tell me about it,” I say. I launch into my litany. When I hang up, I throw a painful temper tantrum. I sound like a siren, a long, low bellowing moan like a thing dying. My voice quivers at the end from the muscle spasm I’ve given myself.

I call my mother back to apologize, and she doesn’t know what I’ve done, so I remind her that I didn’t hear the complete list of her things gone wrong, the ingredients of her meltdown pot. She lets it out, and I offer some possible solutions—like the person I used to be would do.



My husband is back to work. He wakes up every morning at 4:30 and tiptoes past the rented electric recliner—where I wind up sleeping the second half of every night—squeezing himself silently in the twelve inches between my laptop table and the fireplace. He makes two cups of coffee and plans his classes. He gives six different lessons a day (fifth through eighth grade social studies, fifth and sixth grade math) and spends two and a half hours every morning doing his preps. Then he makes Serena and himself lunch (it used to be my job), drops off a cup of coffee, just the way I like it, beside my sleeping body, and goes up to shower, sending Serena down to make her own breakfast. When he comes home, exhausted from a combination of kids and the bureaucratic nonsense that adds pointless tasks to his overcrowded schedule (he eats lunch with the kids in the classroom), he walks the dogs, makes dinner or a portion of it for us all, then attends to his various tasks—school meetings, Serena’s basketball, Serena’s rock practice. (He used to be able to nap. One night a week, he could almost get out to basketball. Not now.) Then he goes to bed. Rinse and repeat.

Since school started, the almost-constant delightful and delighted guitar playing has stopped. Everyone is tense. The other day, Marty put his car keys in his pocket and promptly lost them. He patted himself down, checked every pocket, every room. He stood in the dining room and screamed the way I haven’t heard him scream since his father died.

I sat in this stupid, stupid chair crying and loving him and wishing that I could help him or even stand up and hug him—if only he had the time and it didn’t take five minutes to raise the chair and stand. If only it didn’t hurt me so much.

About an hour later, he came home to get something Serena forgot and apologized for his outburst. They keys were in his jacket pocket, under his coat, over his pants. “You ought to talk to someone,” I said. He hissed through his teeth. He doesn’t believe in therapy, he’s lost touch with most of his friends, and his brother up the street—well, let’s just say that he’s only signed as a wide receiver.

Last Thursday, I got a reply email from my sister, yelling at me for what she thought was a tone or an implication in my email to her. She called me a bitch and told me she knows I’m in pain, but I’ve been a bitch since the day I complained that my house had too many people in it (right after surgery). We went rounds, finally owning our faults and making up.

My friends have their migraines and their depression and their miserable days. They fall and hurt themselves. They lose their jobs. And because they are good friends, they have to ask how I am. I feel insensitive telling them. Sometimes I say "ugh" and change the subject or write "ok" in lower-case letters, which I haven't done since I started reading Ann Lamott. I want to lie and say I’m great. I am afraid my pain has crowded them out, and they will stop coming.

My dogs just look at me from the floor. I know that spending quality time stroking their fur is good for my heart and my mind. But I can't reach down to pet them, and it hurts us both when they jump up. I slip them some cheese now and again so they know I still love them.

Serena had a stomachache and headache on Wednesday and wanted to stay home from school. She was disappointed that her birthday (on the epiphany) was not met with the usual fanfare. She wanted to have her movie date and sleepover in the attic. But I can’t have strangers in my house right now. I can barely pull my pants up by myself, and someone has to stand by when I shower and help me dry my legs. I can’t suffer any more indignities.

I think Serena is anxious about me. She peeks around the corner to find me wincing while trying to stand. She sees my frustration with the things I drop and the things that lie along my path and the things that clutter my table, and she wonders how much longer it will be this way.





I finger the lumps around the incision in my back. It’s a thick, tough patch, like my life right now. Like the life of everyone in mine. All of us have this scar tissue. I don't have any salve or balm I can rub on the people I love to make them feel better. I can only sit here and wait.

Thursday, January 1, 2009

happy new year!

Thank you all for a year filled with support, encouragement, and friendship. May we all have a happy, peaceful, and healthy 2009.