verklempt

photo by Steven Parke


My daughter became a bat mitzvah a little over a week ago, and I can't find the words to describe how I feel about it: about our weekly meetings with the rabbi, about our growth individually and as a family, about our incredible daughter (who tie-dyed her own tallit and braided its fringes and who still managed to pull straight As despite adding Hebrew lessons and rabbi visits to her busy music schedule and her creature maintenance), and about the party my mother threw to celebrate this simcha with mishpucha.

I'm not sure why all my revelations emerge as sentimentality rather than wisdom, as cliché rather than poetry. I seem to be mourning. Our Wednesdays with the rabbi were some of the most sacred and treasured hours I've had in years, and putting together 120 hand-made programs kept me focused on something other than my ailments and my dying dog and my lack of employment. When it's all over, I find my bullies have been quietly building up arms and ammo against me. I am perched between kvelling and yelling, and my reflexes are sharp, despite my physical decrepitude.

I have nothing but this poem I stumbled through, verklempt, the Sunday my daughter became responsible for her own goodness, her godliness.


- - - - - - - - - - - - - -

rock mitzvah
(for Serena, with a nod to Frank O'Hara)

it was a quick trade: umbilical for patch cord
my baby for bay-beh bay-beh bay-beh.
thirteen meticulous whirls past the sun
and she knows her way around a fret pattern
even before she’s fingering the tallit’s fringe.
the years are but a filmy dream that wakes up amid
ancient tongue (we have nothing if not endurance)
tremulous melody, pomp, and splendor
when all I’ve done to date is sigh. bark. write.
she must have flown here on the Puca’s back
reckless brown tresses whipping in wind
alighting at the bimah like a new angel.

I don’t see the crumbs of morning toast
on nervous lips she bit to crimson
don’t hear a skip in her smooth recitations.
so do I mourn this loss of little girl
or squash the selfish pangs and celebrate—
with a very real laughter she’d be proud of—
the way she wears her prayer shawl like wings?

come by here

My daughter is about to become a bat mitzvah, literally translated, daughter of the commandments. It’s odd, if not ironic, because she’s already literally the daughter of two nonbelievers, as well as the granddaughter of two agnostic grandmothers and a quietly believing grandfather who hasn’t been to shul for the high holidays in more than a dozen years. And then there’s the matter of Serena having gone to Catholic School since she was three. (Free ham may be a stereotypical dilemma in that old joke, but believe me: for a Jew in Baltimore City, free Catholic school is no dilemma; it’s a no-brainer.)

I was never a bat mitzvah; I think my continued expression of doubt about a god who would allow the Holocaust got me invited to leave Temple Emmanuel’s Sunday school when I was eleven. I never looked back, never pined for any sort of god—other than the pine itself, which if not a deity is certainly omnipresent and tall enough to provide a foreboding reminder that someone big can whoop your ass if you’re not good. And that eternal can of whoopass seems to be humankind’s do-good motivator, else what’s a hell for?

But a few months ago, when my parents offered Serena the chance to learn some Hebrew for thirty minutes a week and have a party at the end of it, I left the choice up to her, with the caveat that once made, the choice could not be undone. If she has had any regrets each week when Norman comes to teach her a new part of the Hebrew she’ll read at the ceremony, they’re all vanished now.

We met Rabbi Geoff over dessert and coffee at my parents’ house. He informed us then that he wasn’t any kind of rent-a-rabbi, and if that’s what we wanted, well, we’d need to find somebody else. He expected more of a familial commitment—weekly, every other week at least. I worried whether Marty, who is already oversaturated with organized religion as a Catholic-school teacher, would balk. But we learned that evening about this new kind of Judaism called Reconstructionist, and we were interested. Though it seems a bit closer to Conservative than to the pick-and-choose Reform we’re used to, its secular humanism focus seemed to light a fire under us all. Instead of concentrating on the worship of a capital-g God, the Reconstructionists concentrate on how we can nurture our lower-case-g godliness. And so we return, once more, to the notion of doing unto others, simply because it’s the right thing to do, rather than because you fear eternal damnation.

September was such a busy month—what with Serena’s band, the Oxi-Morons, practicing five days a week to play out three times—that we could only commit to two meetings. Now we’re all practically begging to see Rabbi Geoff weekly.


I can’t describe what goes on in the large sitting room, which holds two sofas, a bunch of chairs, a coffee table, a piano, a couple of Jewish paintings, and a small table set up for coffee, which Geoff brews fresh so that the whole place smells good when we get there. I just know that we talk. We have a guided discussion about our participation in the world, about the things we love and the way we engage others, and we leave feeling lighter and refreshed, like we’ve sloughed off some dead skin.

Rabbi Geoff gives Serena homework—what’s a tallit? what’s a mitzvah?—so we usually start with a discussion of that. We go over points on a handout, like it’s school, and Serena’s not the only one who participates. But dang, is she ever smart. We discover things about each other (Marty is a thinker, Serena is a feeler, I’m a doer), and we continue our discussion on the drive home.

This week’s lesson was about the 613 mitzvot, or commandments, and what they mean and what are good and bad reasons for following them. Because it’s not so much the commandments (we’re not going to light any Sabbath candles; that’s not who we are) but the intention behind them (lighting those candles says stop, breathe, reflect; work is done).

During our meeting, a black father and son came into the church-slash-synagogue (even the shared building is more than symbolic). They were about twenty minutes early for their discussion group with the rabbi, but Geoff invited them to hang out and wait anywhere in the building. Instead of wandering around, they pulled up a chair and joined in, obviously unaware this was our time. I was initially taken aback—that they just came in and joined us and that the rabbi didn’t tell them he meant anywhere else in the building—but I realized this is exactly what I love so much about being there. Intention. What better way to understand people than to discuss, together, the intention to be good people in the world.

We left the second meeting feeling the same way as the first, looking forward to coming back for another 90 minutes of philosophical thought. It’s luxurious to think! It's luxurious to discuss, to marry abstract thought to concrete action. It's luxurious to put away all the technology and think and talk, to have this preplanned time, like a massage appointment, without feeling the need to rush away to the next chore. For that hour or so, we engage each other, and our minds meet. It’s as if they are holding each other’s hands and singing Kumbaya. I’m not being sarcastic. I mean Kumbaya, “come by here,” as it was traditionally sung to represent both a human and a spiritual meeting. I wouldn't mind adding a guitar and a fire, maybe a beer, but it's delicious as is.

Look, I’m not ready to run off and join a synagogue; I still have my doubts as to whether organized religion, even one that seems to focus on a secular humanism, albeit with a Jewish bent, does good. But I don’t feel any kind of conflicted about my daughter becoming a daughter of the commandments, especially when some of those commandments can be expressed with a commitment to recycling and giving to charity.

And I like the idea that my daughter now has some sort of spiritual guidance available to her. For almost thirteen years, we’ve answered Serena’s religious questions and educated her about traditions and customs as openly and without prejudice as we could, but I want her to come into her own beliefs the way I came into mine, and I am grateful, and somewhat relieved, that she now has someone who can coax her gently into godliness. And she's excited, too, because she has always felt apart from the Catholic community, in whose buildings she spends so many hours a day.

I am especially proud to be the mother of this daughter of the commandments.

alchemy

It’s Christmas, but you wouldn’t know it by my house, which has no tree, no wrapped presents, no fauxflake or stocking or stray spray of tinsel. It’s not because I’m a curmudgeon. I just started thinking: What do we need that we don’t have? What do we want that we don’t get nearly as quickly as the thought pops into our heads? While this condition is much the same for us every year, it’s the first time I have been stricken by the absurdity—of frantic shopping, of wrapping surprises on the same pre-scheduled day as most of this country and some of the world, as if we’d deprive our child, now too old (not to mention too Jewish) to believe in Santa, of her reasonable heart’s desires for an entire year, as if we should have waited on Hendrix the Creature, her pet bearded dragon. As if guitar picks should be stocking stuffers rather than tools of her trade.

As I sit here, my daughter is pounding insanely on the drums while her friend makes repetitive keyboard sounds, my husband is watching some dull war documentary, the kitchen countertop is covered with crumbs, my back is sore, and my dogs are where they always are—beneath my feet, a perpetual tripping hazard—one of them, Cleo, snoring so loudly that I can hear her over the drums.

But I am practicing a new craft. I am waving away the fog of depression, turning the ugly floaters into the swirling glitter of a snow globe. My daughter taught herself how to play the drums, and she’s good; she has a friend with her, and they are making music, not noise. My husband is watching the movie on our brand new shiny iMac. My counter is crumby because I’ve just made warm, delicious brownies filled with the free bag of chocolate chips Safeway gave us for spending twenty bucks on the ingredients for brownies and chicken stew. My back is sore because I’ve been standing up playing guitar, something I couldn’t do a few months ago. And my dogs are beautiful; at fourteen, Cleopatra’s cacophony is a comfort because it means she is still alive.

If I have a resolution for the coming year, it’s to practice more of this kind of witchcraft, to discover a way to transmute anxiety and sadness into something bright and gleaming, something the crow dragged in.

I have spent far too much of 2009 listing the things that have gone wrong. It’s not that I didn’t earn the right, but pacing back and forth along this path has put a rut in it. Sometimes I wonder if it’s as awful as it is habitual. Now the rut is a damned trench, which makes the climb out a little tougher. All I really need to do is start filling it with each good thing until that, the filling, becomes my groove.

Habits, old or new, are hard to break; however, I’m wise enough to know that my blessings are many. My family, friends, and social networks have literally kept me alive when I wasn’t sure I wanted to stay that way. We had foster families at the beginning of this year, people who fed us and drove us around and made sure we were safe.

Before I sat down to review the year, I’d already panned 2009, in my mind worse than at least forty other years. But some pretty remarkable things happened this year.

• I knitted and sold enough scarves to help pay for an expensive chair, which was instrumental in my recovery.

• I ran almost two miles six months after back surgery.

• I felt the force of several thousand crows lifting off from a field where I stood.

• Bob Schneider sat next to me in my car, and, a week later, I got to hang out for half an hour with the very cool Chuck Prophet.

• I have written at least five really good songs this year and will record them in the studio soon.

• I was in two movies, I Will Smash You and 60 Writers, 60 Places, both of them released recently. In two different glowing reviews, my parts were singled out for positive acknowlegment.

• My daughter, Serena, got straight A pluses (except for the A in religion), improved her saxophone, guitar, and drum playing and her singing. She landed the acoustic intro to one of my favorite songs ever, “ Crazy on You,” by Heart, for the Seattle Sounds show in January, and she’s nailing it.

• The Book was published! Let Me Eat Cake was not the best book ever written, and I got down on myself a lot after negative reviews, but you know what? Simon & Schuster liked it enough to pay me for my words and to publish them with a beautiful cover and pictures inside. I don’t know too many people who can say that. So there!

I’m not completely skipping gifts and holiday cheer, but I am finally questioning them in light of our dwindling bank account and increasing debt and dismal prospects for employment. And all we have already and all we discard every day. For instance, this week, I’ve received ten Christmas cards in the mail. Half were store bought; the other half were personalized with family photos. Not a single one of the senders wrote more than a generic, nameless greeting and a signature. I appreciate that you thought of me among the mountain of friends who give your hand a writer’s cramp each year, that you’d truly like me to have a blessed holiday, that you’d share your beautiful family with mine. But tell me something—that I’m a good neighbor, a good friend. Tell me you love me and my family, that we’ll make an effort to get together more this year, that you hope my back heals, that I write another book, that I stay with my husband for the 28th year. Make me laugh or think or cry over your sentiment. Those are the cards I save and reread when I need a quick reminder that I’m worthwhile. Unfortunately, my recycling bin fills up first.

So many of you have touched my soul this year. Telling you each might take me the majority of 2010. Until I do, please enjoy the card I made from photographs of the beautiful snow, an icy windshield, and the birds I love. Print it out if you’d like to keep it. When I see you next, I’ll write on the back of it what I love most about you.

Peace.

happy, challah daze

Before spirituality became contagious, like a yuppie sickness, I considered myself spiritual; that is, I worshipped nature and “frolicked in the autumn mist” and babbled about the sunsets and the sounds birds make. But maybe that’s not because of spirit.

I am religious in my habits: the way I make morning coffee, the way I postpone playtime until my work is finished, how I worship the four-o’clock beer. I adore tradition. Just before Easter break, I pick my Jewish daughter up from her Catholic school early enough that she misses mass, and we have a girls’ lunch—at the same place every year.

It’s Rosh Hashanah, and since I first learned in 2006 how to make homemade challah from my friend, Maya Sprague, I have made it my new holiday—challahday—tradition. I spend the day of our celebration—which is nothing more than a loud dinner with my loud family—baking. I listen to music (today, The Records** and Jim Carroll, which go together perfectly because I have loved them long and well). I take pictures of the dough and marvel at the yeast’s magic and curse the sticky strands that never braid the way I want them the first time.

I love the Jewish New Year because it’s exactly when a new year should be: the kids have settled back to school, I have settled back to writing, and the air has settled—both cool enough to be renewing and warm enough to coax a little red into the last tomatoes. I love that this holiday makes no pretenses, that it’s about sweetness and life. I love the tired joke about blowing the chauffer. I even love the whole phrase, l’shana tova tikatevu: may you be inscribed for a good year. That’s the loose translation. The longer version is, “May God write you down in his book for a good year.” Even though I don’t believe in a supreme being (unless you count Bob Schneider), I do believe in the righteousness of the Golden Rule, which, more than God, is the foundation of every religion on earth. The earliest version is the most beautiful and the most simple: “Do for one who may do for you, that you may cause him thus to do.”*

I don’t make resolutions on the Jewish New Year. This is about sloughing off the old skin and returning to the things that make me glow. And it all starts with the baking of the bread.



- - - - - - - - -

Maya Sprague’s Challa, I Love You


ingredients

2 t sugar
2 pkg. yeast
2 C warm water (105-115°)


6 eggs, lightly beaten
2/3 C oil
4 t salt
4T sugar

8+ C flour

1 egg yolk mixed with a little water
2 T sesame or poppy seeds (opt.)

Note: I divide this recipe in half and make it in two separate bowls for two loaves. To one of the bowls of wet ingredients, I add ½ C raisins, 1/8 C cinnamon, and ¼ C honey. Braid the rolls separately.

instructions

1. Add sugar to warm water; sprinkle yeast on top; mix with fork. When mixture foams (about five minutes), it’s good to go.

2. Mix the eggs, oil, salt, and sugar. Add foaming yeast.

3. Add flour to wet mixture, one cup at a time, then turn out on a kneading surface dusted with flour.

4. Knead until dough can be handled without sticking, adding flour as needed. (I have never been patient enough to get to that point, so if you find yourself adding more and more flour, just stop and continue with step 5.)

5. Cover dough ball with a dish towel and set in a warm, draft-free place for two hours.

6. Punch dough. Braid. (See Maya's cool video, or braid in three strands.)

7. Put braids on an oiled stone or baking pan; cover, and leave to rise one hour.

8. Brush bread with egg yolk/water mixture. Moisten finger with egg, and press seeds into the challah for decoration (opt.).

8. Bake at 350° until a rap on the bread sounds hollow (about ½ hour to 45 minutes).


- - - - - -

*from "The Tale of the Eloquent Peasant, 109 - 110 Translated by R.B. Parkinson. The original dates to 1970 to 1640 BCE and may be the earliest version ever written."

**Singer John Wicks has been doing fabulous things since he's been away from the Records. Check out Rotate; it's superb.

guardian angels

I have quit writing.

In the past three weeks, I have given it up about seven times. The first time was when my new book contract was rejected by my favorite editor. It was only the second rejection—not the end of the world or the topic by any means. But in this economy, the only books getting bought are by celebrities, fad diet gurus, and reluctant heroes. Those books are rarely good.

Then again, one of my closest friends, Sheri Booker, finally sold her book about the black funeral parlor industry. Nine Years Under will be published by Gotham/Penguin.

Sheri sends me chat messages every few days asking me how my writing is coming. “I quit writing,” I tell her every time.

The first time was right after talking to my agent and promising I would take her advice. She suggested I sell some stories related to the project, and I have dozens in my head, but I am wrestling with the futility of endeavors like these and anguish and fear and all those things that plague writers in the sophomore slump.

After the second time I quit writing, I got a message on Facebook from someone I don’t know and didn’t pay: she “loved, loved, loved” my book, “and so did the 3 friends [she] bought copies for.” Maybe I’d come back, I thought. Nah, I rethought.

Sheri has become my guardian writing angel these days. I think she’s trying to repay me for being hers last year. She had just received constructive criticism from my agent regarding her book proposal, and she wasn’t sure she would bother to pursue the project further. I became her nagging Jewish mother, asking her nearly every time I saw her what progress she’d made, even while I was stuck in the red leather recliner trying to survive.

I am sure she thinks I am the reason she has a book contract now—that I pushed her when she was ready to give up. So when she asks me every other day, she sounds a little desperate to rescue me.

The other day, when Sheri asked me, I told her I was going to spend some time working on large mosaic projects and maybe some photography. I made it sound like I really did have alternate career plans and that I was fine with that. “maybe you do need a small break from writing / but you and i both know that you haven't quit / you are a true writer.”

Last night, I got another Facebook email from someone saying she got my book as a gift and was prepared to dislike it; who wants to read about cake when you can bake one? she asked.

Well, I would sure rather read than bake. I’d rather write than bake.

Oh, yeah. Except that I quit.