My husband's and my love affair began in November of 1981 or 2—I've forgotten, but does a year really matter when we're talking about a relationship that has spanned about three decades?
We're still together, though it's been a far-from-perfect thirty years. And some weeks are more difficult than others. Is it possible, at this late stage in our lives together, to reverse the trend? So many people around us can't and don't. I doubt it will happen if my husband continues to wake me at 6:30 a.m. with his acoustic rendition of "Crazy on You" booming through the floor beneath my bed, though I must admit I do dig it when I'm fully awake. So I have faith.
It's been said that money is the number one cause of fights between couples—even in this relationship, where lack of money was never a surprise. The one thousand or so of you who've read The Book know that when I met Marty, he was quite content looking like, and earning the income of, a bag man—and even told me once that his goal was to impregnate one beautiful woman in every country in the world to create the "international family of peace." I know he loves me because he stopped after the first one.
Now that I've gone through menopause (I'm not old, I'm early; it's genetic), I'm even more convinced I need a wad of cash, if not for the repairs of the pesky and irritating flaws of my home—the spatter-warped cabinets and cracked kitchen floor tiles, the rotten bathroom floor, the absent hot tub—then to fix my drooping eyelids and pay the personal trainer to work off these extra fifteen Facebook-exacerbated menopause pounds. But we're both financially underemployed. I don't want anything frivolous—not stuff like a new guitar or camera, though, privately, I dream.
The sonnet I just wrote (only the second in my life, the first about eating the contents of an ashtray, which was the basis for a song I performed with my band in the eighties) captures what it's like when two people choke each other out with alternating arguments and silence. There's no blame; if one has mood swings and flab, the other has unkempt hair and makes chewing noises.
I couldn't have written this poem—well, wouldn't have—without the help of a few of my Facebook friends. For the past year, I've been requesting random words in my status updates. Those who feel like it submit a word, and when I think I have enough, I write a poem using one of the supplied words in each line. They take at least a week to write. Much of the time, they've been good poems—surprisingly good—so I'm saving them for a book, rather than publishing them here. But yesterday, I asked for seven pairs of rhyming words for a sonnet. This is the poem that emerged.
It is no more autobiographical than any other poem I have written. That is: there's a mix of true for me and true for you. Poems take liberties. They are life stories, but they do not concern themselves with facts. And they are only a single moment, not thirty years. We can tolerate five minutes of crack-of-dawn "Crazy on You" because of years of good times, good smells, and good tunes.
*note: this blog is messed up in Safari—don't know why!
It takes a lot of time to be a genius, you have to sit around so much doing nothing, really doing nothing. ~Gertrude Stein
I navigated to my blog from a site about whether shaving makes hair grow back heavier. I had to prove to my husband that it doesn't, that it's merely an illusion because the hair becomes blunted at the ends and because it softens as it lengthens.
I spend a lot of time at the computer. Sometimes I'm looking up stupid stuff like that to tell my husband, who, without it, would probably still believe that hair grows faster after you cut it, or I look up lyrics, a news headline, the source of a quote. Other times, I'm writing or processing photos or chatting with friends, as if they are right in the next cubicle. Only I'm not exactly "working."
I am an artist. Saying that gives me the creeps; it scares me. Because artists, as you know, are unemployable, and it's sort of why I'm sitting here at the computer at 8:07 a.m. on a Thursday instead of getting ready for work.
In between sending out résumés and CVs for jobs like art director and English professor, which are sparse (which means the space between is long), I make stuff. I flit from the camera to the guitar to the manuscript like a butterfly, lingering a time over each thing until I'm satisfied I've sucked it dry, mined it for everything worth taking.
Because my employment frustration could easily occupy my day, I decided to give myself something to do, some artistic diversion to participate in when the laundry was done and the kitchen floor was swept. And that's how I came to win a photo challenge—Survivor: Flickr Island—with five very different photos. I made the best shots of my life. And when that was over last week, I joined a photo class with weekly assignments. Every day, I work a little more on the chapter for my book proposal. I send queries and write poems and songs. I flit.
Last week, I tapped into my home equity line of credit so that I could buy groceries. Because I am an artist.
Right now, I have nothing to do but write and look for work, yet I feel an overwhelming guilt when I try to fill the day with things other than vacuuming and laundry. I rarely pull out my guitar anymore, even for that quick few minutes in the early morning with my coffee. And when I forget my situation and buy a six-dollar t-shirt at Target, I have a panic attack. But when I use the computer for my avocations, it's free. And it's productive. And sometimes it turns into a gig—a photo publication credit in a real magazine (this shot, for the California version of Family), a book review, a portrait job for a friend.
And it feels good. Yesterday, at about 4:30, the wind kicked up outside and began to twirl the rusty pink garden ornament hanging from my Douglas fir. I took 32 stills of it as it swung in the breeze. I stitched them together to make an animated gif and liked it so much that I turned it into a movie. It took two hours, and my husband complained, even though he was gone most of the time, even though I'd stopped while he was walking the dogs to make his dinner salad, cut up veggies for Hendrix the Creature (my daughter's bearded dragon), and would pick up my daughter from soccer. It doesn't matter what I'm doing, he says. I'm always on the computer.
And I'm sure it's not good for me. It cuts down on my attention span and makes me agitated when I'm away from it, like an addiction. It makes me sit far too much. It keeps my house dirty. But it's also just about the only thing I do right now that feels good. I have a sense of accomplishment when I see something through from concept to construct. So even without pay, there's a reward.
While I was making my video, I added some music. And when it was finished, I decided it needed something else—the sound of wind, some whoooosh to run through it as it faded to black. And that's when it hit me that I needed some applause. I tacked it on the second half of the video so that it would linger through the fade to black. The applause made me giddy. Every time I hear the audience clapping, I feel as though they are clapping for this thing blowing in the breeze, this thing I made, and, by extension, for me.
My friend Jennifer asked: what if we had this in our heads all the time? Every time we did something right, the applause would start. Every time we did something we shouldn't—like eat a cookie—the audience would boo. Would it make us think more about the things we do every day?
And what if I'm sitting here on the computer, doing nothing, waiting for the stroke of genius to come? Would they cheer or jeer?
Would they cheer for proving my husband wrong about the hair? Or would they boo, because they thought he was right? Would they clap for me as I sit here this morning, writing an essay in my blog, practicing a craft for which I am sometimes handsomely paid? Or would they blow raspberries at the waste of time?
Would they applaud the laundry and the pile of dog hair swept out the door and the made beds and the chili dinner and the washed dishes but hiss when I pulled out the guitar?
Is it an audience of disappointed, overworked spouses or an audience of artists?
My husband is serenading me with “Angel of Harlem.” I tell him how I love this unofficial ritual, this regular Sunday morning worship of the guitar in the Miller Kitchen, as it has come to be known. (On other Sundays, I have taped the two of us doing Springsteen's "No Surrender" and the three of us playing Joan Osborne's "One of Us.) “This is my prayer,” Marty says.
He can’t think of the words to the U2 song, so he improvises: “Snow fell on the avenue, I stepped in some doggy doo, got that shit all on my shoe, wiped it off on the carpet for you, angel, angel of Harlem.”
Marty’s good at that—that improvisation of lyrics. He’s as quick as anyone I know and smart, too, so I shouldn’t be surprised. I count on him to replace the words to our favorite songs the way I count on him to poke me and say, “Vanagon,” every time we drive by one on the road and to exclaim, “Oh, look! Some old whore left her workbench in the alley,” every time we pass a discarded mattress. (Don’t tell him you have a weak back; he’ll ask, “When’d you hurt it?” and answer, “Oh, about a week back.”)
My husband makes me laugh at loud—we make each other laugh out loud—so often, even when life is shit for both of us.
As it is right now.
He’s a teacher at a Catholic school, and I’m a stay-at-home writer with sporadic freelance gigs and 2/3 of a book advance already spent. The Archdiocese has announced the need to consolidate due to under-enrollment, so we’re shvitzing.
The worst part of our lives right now has nothing to do with the economy. It’s my weak back, which has been killing me since summer—way longer than a week back. After three painful cortisone shots, acupuncture, physical therapy, and various forms of hocus pocus, I’m having surgery next week. I can’t drive now or for a month after, and I can carry nothing heavier than a carton of milk. Afterward, I will be able to eat, sit in a recliner, and walk. I think I can go to the bathroom but am supposed to wipe using tongs. (Don’t ask.)
Marty works about ten hours a day, with six preps, all-day teaching, and after-school commitments. As sole driver, he also must take our daughter to her basketball practice, ballgames, guitar lessons, and show rehearsal. He must walk our two dogs, shop for groceries, and clean our house. I can still cook and do the dishes. I’ve also become an expert kvetcher, moaner, pill taker, and cryer. None of these things has enhanced my appearance, my talents, or my self-esteem, and they don’t pay.
So I am surprised by the random kindnesses my husband shows me: the impromptu back rubbing, the chocolate donut, the lustful winks. Sure, he’s bitching a bit, but I have to let him. It might be just as awful to be the able spouse of a temporarily disabled person.
Since I’ve been cooped up for so long—except for doctors’ appointments and Thanksgiving dinner—I decided to join Marty and Serena yesterday on a trek to the guitar store. Weekly fliers are so tempting to them; sales and giveaways and coupons litter our kitchen. This week’s includes a $29 distortion pedal and a free guitar with the purchase of a case of strings. While they were shopping, I could spend quality time with my dream guitar.
Guitar Center is set up with a big main room full of electric guitars and amps stacked high. Every time they go, my daughter falls in love with something new. This Saturday, it was a bitchin’ black Gretsch hollow-body electric, with dual f-holes and a shiny whammy bar, which my daughter grabbed and dragged around the store with her like a toddler drags his blankie. Behind the open main room are doors to the acoustic room, where the cheap and mid-price acoustics are kept. And all the way in the back is a small, climate-controlled room with the expensive, quality guitars—mostly Taylors and Martins. A few high-priced Gibsons, Takamines, and Breedloves hang there, too (there goes the neighborhood, some would say).
While my family was out front, I was in the back making time with “the one.” Even if you don’t play guitar, you know “the one.” It’s not exactly love at first sight; it’s more reasoned than that. It not only looks glorious (ebony fret board, mother-of-pearl inlays on the frets and around the sound hole, sexy cutaway style), but it feels good in my lap and sings like an angel. I’ve played nearly every guitar in that back room, and some are nice, yes. But none of them are the Gibson Songwriter Deluxe. I never set out to love this one. Gibson’s not known for sweet and ringy acoustic guitars.
Ethan waited on me, and I wanted to know if this model was one of the Gibsons on sale for $500 off. It was only 10% off, but he said, “Want me to see if I can do better?” I had no idea that this worked like a car dealership, but I was game. He returned with his offer: $1,900 out the door, tax included.
I was excited, doing head math, playing with the numbers. With credit, I could have a year, interest-free, to pay it off. I calculated. One hundred sixty a month. Some good tickly stuff coursed through my veins. But Marty was a party-pooper. Number one, he said, I don’t deserve it until I can make a Bm smoothly. Number two, we’re broke. Number three, how many guitars do we need? I’ve already got a decent Guild. And then, of course, there’s the impending surgery.
I pouted and closed the door to the climate-controlled room. While I was fondling the Gibson madly, Serena was running through her repertoire on a curly maple Ibanez, on which she's had designs for about as long as I've loved the Gibson. She played snippets of “Crazy on You,” “Lola,” “Satisfaction,” “The Kids are Alright,” “Bus Stop,” “Surrender.” But she left in a snit when she learned she wouldn’t be taking it—or the Gretsch—home that day. A man stopped us to say what an incredible guitarist we have in Serena, so I blushed and gushed a bit, then went out to occupy her while Marty arranged to buy her that icky-sounding Ibanez.
I found Serena kicking the carpet sadly. Never mind that since April, she has gotten a classical Yamaha and a brand new Fender Showmaster, as well as having access to my acoustic Guild and Marty’s Strat. To keep her from chasing after her dad, I brought her the Gretsch and had her plug in and repeat her set list on the electric. I like to listen to her play, but I also like to watch people do a double take when they see that a kid—a girl kid—is at the helm.
When Marty came out, Serena became dejected once again. And I was moping, too, when we got in the car. Mostly I was tired. I hadn’t been out for this long in weeks. Marty said, “Well, you're gonna be upset, but while I was buying the amp, someone bought your guitar.”
I knew he was lying. It had been there for months and months, and no one had touched it. Except for some string wear, it was pretty perfect.
“Here, you wanna see the receipt?” he asked me, tossing the folded up paper in my lap. Why would I want to see that? I knew the total. I had done all the math—a $69 bass amp for my nephew, a $249 Ibanez acoustic, and a box of strings for a hundred bucks, which included a free Silvertone acoustic (which sounds better than the cheap shit Ibanez!). I heard the crinkle of paper as Marty smoothed the receipt and stuck it in my lap while he drove. The first item on the list: Gibson, $1,900.
I cried my eyes out with joy. The tears just busted right out of my eyeballs. It was like the nicest, most unexpected thing.
So now we’re in the kitchen on Sunday morning, singing together, and he’s changing the words, and I’m laughing, thinking how much I still love him, a little surprised that after 26 years, we still have this good thing going on. I wonder, in my defective state, how much I deserve it and the guitar. Are they both too good for me?
I take Serena out with my mom to a craft fair and buy him a chocolate-covered caramel apple and a chocolate chip cookie. He goes out to buy some guitars for his girls. And when we return, it’s there on the dining room table. “Well, aren’t you gonna play it?” he asks. I was going to wait until Christmas. “What for? Play it!”
I know that trick. He just wants to play it himself, which he does, several times, while I cringe and reach out to protect it as if it’s a baby being held by an ogre. When he goes to work after dinner (which he does frequently, in addition to his other duties), I take out the guitar and pose with it for some goofy Flickr CD cover group. My daughter comes up from the basement while I'm adding the CD title. "Oh my god! You took a naked picture with your guitar already?" she asks, as if I've, like, done this before or something.
Today, while I am at the doctor’s office going over surgery instructions, I note that I can’t pick up anything, but I wonder whether things can be put in my lap—things like, say, a new Gibson Songwriter Deluxe. “Sure,” the nurse tells me. But, as has happened with other guitar-playing patients, I might get a spasm when I try to put my arm over it. Oh, the indignity!
I give the news to my husband when he comes home from work, exhausted enough to pass out in the chair next to me (which he does). “Guess I’ll take it back and get myself an SG, a Taylor DN3, and some more strings. I’d still have a couple hundred left.”
“Go ahead,” I tell him. “I don’t deserve it anyway.”
“OK, I’ll do that tonight,” he says. “I also need some hot Vietnamese chicks who can bend over.”
Two days ago, my mother-in-law would have celebrated her sixty-first wedding anniversary, had Marty’s dad not died a decade ago. This Christmas, my parents will have been married forty-seven years. Maybe long marriages are in our genes. My husband and I will celebrate our fifteenth anniversary next May, and we lived together for eleven years before the big day.
In twenty-six years, neither of us has ever cheated. There was an almost or two, but, unless you count my visibly swooning (and probably drooling) over Bob Schneider, we’re pathetically faithful.
Certain kinds of people always chuckle when I say I’m certain my husband has never had an affair—either sexual or emotional. Cheaters—they think everyone cheats.
A few times in our relationship—usually, coincidentally, before or after a Bob Schneider concert—I have given Marty permission to get himself some strange, but he just won’t do it. I know it’s because he loves me—and he’s terrified that it would give me permission. And then someone else might fall in love with me, too.
I've been thinking about it, and I wonder whether it would bother me, after all these years, if he had a meaningless romp in the hay with some nubile thing. I could say yes with certainty a decade ago, but now I wonder if all marriages shouldn’t come with a Get Out of Jail Free card or a built-in marriage vacation for a week every seven years.
Marty can't believe I'd give him up so easily, even for a night. “What if you came home and found Catherine Zeta Jones in bed with me?”
"I would point at her and laugh," I say. "No, really, if you could tap that, you deserve to!”
Marty looks wounded. “What if she falls in love with me?”
“Oh, yeah. Because poverty is so sexy.”
Maybe that’s what makes men’s fantasies so much more unrealistic than women’s. No, I’m not a 24-year-old blow-up doll, but I’m not bad for forty-inaudible mumbling], and I could very well be the hottest offering in a room—like those couple of times we trekked to small rock clubs on weeknights in snow storms. It was slim pickin’s for rockers. I could do in a pinch.
But even with permission, I couldn’t do it. What would be the point? Who needs the heartbreak, the disillusionment? Who needs to get naked in front of a stranger at my age? And who needs the host of dangerous microbes that only a lead condom could stop? (Talk about a seven-year-itch!)
What most people need to keep the sparks in their marriage is the knowledge that someone else desires them.
So, Catherine, now you know that you are at the top of my husband's list. This is my gift to you and Michael. Happy Anniversary.
