It may surprise people to know this, but I used to go to a shrink. Another surprise: it was not because I’m crazy; I just forgot how to sleep.
Therapy isn’t like the olden days, when you were asked how you feel about that by a bearded and bespectacled older man, who encouraged you to badmouth your mother and talk about your dreams and return weekly for the rest of your life. You deal with each crisis as it comes, with months, even years, of untherapeutic living in between. That’s how it was with me. I'd get nervous about something, stop sleeping, and make an appointment.
In one session, I talked about my father. I was troubled by one of his oft-repeated offers: “You want it? I’ll buy it.” Truth is there was no question; it was more of a run-on sentence.
Dad would utter this for everything while we were on vacation—often, embarrassingly, in front of a store owner to whom I was only being polite when I said those fancy jeans were cool. (A $250 pair of jeans is not cool.) While I was never rolling in dough, I would still sneak away to buy, with my own money, the things I wanted or needed—even when I was forty.
When Beth and I were kids, our family was lower than lower-middle class. But we didn’t know we were poor because we had everything: tiny black and white Luskin’s TVs and Realistic stereos and shag carpeting in our bedrooms. I had a pink princess phone, and my sister had a regular blue one. I wanted to go to NYU for college, but my dad said it would kill my mother if I left, so he bought me a car as a bribe. After he did, we couldn’t even afford Towson University, which was only about $20 a credit back then. My great aunt paid my tuition for a year, and I didn't find out until a decade or more later.
When I discovered how poor we really were back then (after hearing stories about my mom hocking her engagement ring to pay the phone bill), I assumed we'd had all those things because my dad didn't want us to know we were poor. But maybe it was because he traveled often and felt like it was the only way he could show his affection, since time with us was not an option.
But twenty years ago, he began doing well in his career. He was home, but we were gone. And the gifts got bigger. And as his generosity grew, so did his insistence that we accept his offers.
“You want it I’ll buy it” became his mantra. He didn’t want his girls to go without anything. I was pregnant, and my dad didn’t want me to fix the carburetor of my six-year-old, paid-off Honda Civic; I needed a new $35,000 Pathfinder. He paid most of the lease.
Critics—my friends, my brother-in-law, even my husband—thought I was spoiled. Marty and I would argue about it at the dinner table—about how many times I said no to something before I was just plain worn out. The badgering was relentless. I said no to a new car at least a dozen times. "I hate to see you drive that thing. It's not safe for my grandchild," he would tell me, often before hello.
What I learned in therapy was that this was how my father said he loved us. Saying no to his gifts was the equivalent of rejecting his love. So I began handling it differently, bartering, accepting a few offers with effusive gratitude. I promised I would let my father know when I found something I really wanted. I even began asking for things I needed.
This is one reason I worry so much about him now. Since his last cancer treatment, he has become so weak and sick. He was still going to work through his third chemotherapy infusion. In fact, I can’t remember him missing work or even being sick with a cold more than a handful of times in my life, except for surgeries on his broken leg. But he’s not been to his office since October. In the hospital and at rehab these months, he sometimes just stared into space, not even turning on the TV, not reading a book or a magazine.
If he’s not at work—where he feels valuable and important—he’s not maintaining his income. And he’s not able to offer us gifts to let us know he loves us.
At almost 75, he is finally realizing that we know. We have always known.
- - - - -
A little more about my dad here.
Showing posts with label love. Show all posts
Showing posts with label love. Show all posts
Thursday, January 19, 2012
Wednesday, March 9, 2011
thirty-year-itch sonnet
My husband's and my love affair began in November of 1981 or 2—I've forgotten, but does a year really matter when we're talking about a relationship that has spanned about three decades?
We're still together, though it's been a far-from-perfect thirty years. And some weeks are more difficult than others. Is it possible, at this late stage in our lives together, to reverse the trend? So many people around us can't and don't. I doubt it will happen if my husband continues to wake me at 6:30 a.m. with his acoustic rendition of "Crazy on You" booming through the floor beneath my bed, though I must admit I do dig it when I'm fully awake. So I have faith.
It's been said that money is the number one cause of fights between couples—even in this relationship, where lack of money was never a surprise. The one thousand or so of you who've read The Book know that when I met Marty, he was quite content looking like, and earning the income of, a bag man—and even told me once that his goal was to impregnate one beautiful woman in every country in the world to create the "international family of peace." I know he loves me because he stopped after the first one.
Now that I've gone through menopause (I'm not old, I'm early; it's genetic), I'm even more convinced I need a wad of cash, if not for the repairs of the pesky and irritating flaws of my home—the spatter-warped cabinets and cracked kitchen floor tiles, the rotten bathroom floor, the absent hot tub—then to fix my drooping eyelids and pay the personal trainer to work off these extra fifteen Facebook-exacerbated menopause pounds. But we're both financially underemployed. I don't want anything frivolous—not stuff like a new guitar or camera, though, privately, I dream.
The sonnet I just wrote (only the second in my life, the first about eating the contents of an ashtray, which was the basis for a song I performed with my band in the eighties) captures what it's like when two people choke each other out with alternating arguments and silence. There's no blame; if one has mood swings and flab, the other has unkempt hair and makes chewing noises.
The sonnet I just wrote (only the second in my life, the first about eating the contents of an ashtray, which was the basis for a song I performed with my band in the eighties) captures what it's like when two people choke each other out with alternating arguments and silence. There's no blame; if one has mood swings and flab, the other has unkempt hair and makes chewing noises.
I couldn't have written this poem—well, wouldn't have—without the help of a few of my Facebook friends. For the past year, I've been requesting random words in my status updates. Those who feel like it submit a word, and when I think I have enough, I write a poem using one of the supplied words in each line. They take at least a week to write. Much of the time, they've been good poems—surprisingly good—so I'm saving them for a book, rather than publishing them here. But yesterday, I asked for seven pairs of rhyming words for a sonnet. This is the poem that emerged.
It is no more autobiographical than any other poem I have written. That is: there's a mix of true for me and true for you. Poems take liberties. They are life stories, but they do not concern themselves with facts. And they are only a single moment, not thirty years. We can tolerate five minutes of crack-of-dawn "Crazy on You" because of years of good times, good smells, and good tunes.
thirty-year itch
It is no more autobiographical than any other poem I have written. That is: there's a mix of true for me and true for you. Poems take liberties. They are life stories, but they do not concern themselves with facts. And they are only a single moment, not thirty years. We can tolerate five minutes of crack-of-dawn "Crazy on You" because of years of good times, good smells, and good tunes.
thirty-year itch
I hear unspoken words in every sigh
and in your heavy footsteps on the floor
I hear the truth you never tell. The lie
instead is uttered while the rotten core
infects the flesh—where once was love is pain.
we’re ugly like the belching of a trumpet
prisoners of notes that make it strain,
exploding on the other notes that bump it,
cacophonous like falling silverware.
together, honey, both our names are mud.
though some might say we have this savoir flair,
I can promise this: there will be blood.
If we’re to stay together through this jinx,
I'll need a couple carats and some minks.
Subscribe to:
Posts (Atom)

